Playing With Perception: Photographs by Florence Henri

June 13, 2015 - November 29, 2015

Drawn from the Everson’s collection, this exhibition presents a selection of photographs by Florence Henri, an accomplished artist of the early twentieth century who remains relatively unknown today.  Henri studied painting with some of the major avant-garde artists of the twentieth century, including Fernand Leger and Lazlo Moholy-Nagy, before turning to photography. Intrigued by notions of playing with perception in life as well as art, the androgynous Henri frequently utilized mirrors in her works to create reflections, distort images, and challenge reality. Her abstract compositions, portraits, and advertising images exploited the possibilities of photography and share affinities with the works of contemporaries like Herbert Bayer, Adolph Baron de Meyer, and Man Ray. 

Urban Video Project 2015-16: We Were Never Human

September 17, 2015 - May 29, 2016

A year-long exploration of the shifting idea of what it means to be human.


Lucien Castaing-Taylor & Véréna Paravel of Harvard Sensory Ethnography Lab

Leviathan (2012)

September 17 - October 24, projected onto north façade of Everson Museum of Art building, dusk – 11.00pm, Thursday–Sunday

Leviathan (2012) is a groundbreaking, immersive portrait of the contemporary commercial fishing industry. Filmed off the coast of New Bedford, Massachusetts – Leviathan follows a hulking groundfish trawler into the surrounding murky black waters on a weeks-long fishing expedition. However, instead of romanticizing the labor, filmmakers Lucien Castiang-Taylor (Sweetgrass) and Verena Paravel (Foreign Parts) present a vivid, almost-kaleidoscopic representation of the work, the sea, the machinery and the players, both human and marine. The film that emerges is unlike anything that has been seen before. Entirely dialogue-free, but mesmerizing and gripping throughout, it is a cosmic portrait of one of mankind’s oldest endeavors. 


He Maketh a Path to Shine After Him; One Would Think the Deep to be Hoary (2013)

September 19 – November 29, 2015

Everson Cloud Wampler Gallery

Filmmakers Véréna Paravel and Lucien Castaing-Taylor, of the Harvard Sensory Ethnography Lab, drew from footage obtained while shooting their award-winning movie Leviathan (2012) to create He Maketh a Path to Shine After Him; One Would Think the Deep to be Hoary. The mesmerizing and haunting footage, filmed both in and from the ocean and projected at 1/50 of the speed at which it was recorded, shows the sea to be a vast and watery expanse full of slow-moving, unidentifiable forms. 


The Otolith Group

Anathema (2011)

November 5 - December 19, projected onto north façade of Everson Museum of Art building, dusk – 11.00pm, Thursday–Sunday

Anathemareimagines the microscopic behavior of liquid crystals undergoing turbulence as a sentient entity that possesses the fingertips and the eyes enthralled by the LCD touch-screen. Anathema can be understood as an object-oriented video that isolates and recombines the magical gestures of dream factory capitalism. Anathema proposes itself as a prototype for a counter-spell assembled from the possible worlds of capitalist sorcery.


Video work by Mary Mattingly

January 20 - 30, 2016, projected onto north façade of Everson Museum of Art building, dusk – 11.00pm, Thursday–Sunday

This short exhibition of selected video work by multimedia artist Mary Mattingly is held in conjunction with her solo show at Light Work’s Kathleen O. Ellis Gallery January 19 – March 10, 2016. Through the building of ecosystems and mobile environments, Mattingly’s work explores issues of access to basic resources, supply and waste chains, and our shared present and future. 


Please visit urbanvideoproject.comfor more information on artists, exhibitions and events.

Urban Video Project (UVP) is a multimedia public art initiative of Light Work and Syracuse University in collaboration with Everson Museum of Art. 

Three Graces: Polly Apfelbaum, Tony Feher and Carrie Moyer

September 25, 2015 - January 3, 2016

The Three Graces were known in ancient mythology as enchanting goddesses who personified the primary attributes of creativity: Beauty, Wonder and Joy. In a recasting of this mythical triumvirate, the Everson introduces three contemporary artists from New York – Polly Apfelbaum, Tony Feher and Carrie Moyer – whose spectacular abstract works embody these qualities. More than just a typical exhibition, Three Graces is also a revelatory experience, as the artists have created new works inspired by pieces from the Museum’s collection, which are also included. From Moyer’s biomorphic paintings, to Apfelbaum’s playful textiles, and Feher’s magical installations, Three Graces connects the past and present through beauty, wonder, and joy.

Everson presentation is made possible, in part, by funding from the County of Onondaga through the Tourism & Economic Development Program administered by CNY Arts, Michael P. and Nicole Falcone, David and Nancy Ridings, Jack and Stephanie Rudnick, Dr. Paul Phillips and Sharon Sullivan, Eric M. Alderman, Carrier Corporation, Drs. Michael and Valerie Clarke, Cygnus Management Foundation, Inc., Sidney Manes, William J. Brunken and Dale Donald Hunter, Bonnie and Gary Grossman, Bob and Toni Salisbury, Gennady and Katya Bratslavsky, Mr. Timothy Sullivan and Dr. Kate Costello-Sullivan.


Members’ Opening Night Reception

September 25, 5.00 – 7.00pm
FREE for Everson Members / $10 Non-Members

Tickets are available at the door.

Celebrate Three Graces: Polly Apfelbaum, Tony Feher, and Carrie Moyer with the exhibiting artists, live music, hors d’oeuvres and a cash bar before previewing the exhibitions.


Gallery Walk: Meet the Artists

October 22, 6.30pm, Free

Meet Three Graces artists in this guided gallery walk. The artists will discuss their contemporary art practices, materials and processes and explore the inspiration of incorporating works from the Everson’s collection in their installation. Join in lively discussion with the artists. 


Artists on Art Audio Tour

Take a self-guided tour and listen to audio narratives by Three Graces artists as you view the exhibition. Borrow an iPod from the Visitors Service Desk. 

Gods and Monsters: Three Centuries of Portraiture

September 26, 2015 - January 3, 2016

This exhibition represents an overview of the portraiture genre for over three centuries, examining how artists have portrayed themselves and others within different contexts and in a variety of media and styles. From 19th century painted miniatures to contemporary color photographs, these portraits drawn from the Everson collection depict a heterogeneous cast of characters both remembered and forgotten, lauded and reviled. Stretching the conventions of the genre, the exhibition includes works by Andy Warhol, William Wegman and others as well as more traditional portrait paintings by artists such as Cecelia Beaux and Gilbert Stuart.

Mastering a Medium: The Porcelains of Adelaide Alsop Robineau

November 18, 2015 - February 5, 2016

Adelaide Alsop Robineau, a major figure in the Arts and Crafts movement and today considered one of America’s preeminent art potters, is known for her exquisite porcelains decorated with intricate carvings and crystalline glazes. This exhibition features more than seventy of Robineau’s works, a number of which were part of the Everson’s original purchase of Robineau’s porcelains in 1916, an acquisition that set the course for the Museum’s long-term commitment to collecting ceramics. On display in the exhibition are many visitor favorites, including the famous Scarab Vase, believed to be Robineau’s masterpiece.